译文: 在这一系列的经验教训，我们 ' ll 学习如何绘制人的头部。我们 ' ll 开始通过草绘一个简单的头和学习如何使用三角形来帮助与脸上的比例。我们 ' ll 然后了解复杂的绘图的脖子和耳朵。我们 ' ll 完成通过学习如何在我们自己的绘图中使用 T 脑卒中，将图层添加到我们的形象。 原文: In this series of lessons, we'll learn how to draw the human head. We'll begin by sketching a simple head and learning how to use triangles to help with the proportions of the face. We'll then learn the intricacies of drawing the neck and ear. We'll finish by learning how to use the T stroke in our own drawings to add layers to our image.

译文: 在本教程中我们经历老板战役级别的环境设计过程从多个角度。整个培训，我们将探讨一些涉及与开发有趣的老板战斗经验的设计过程。从最初的草图阶段，照明设计在黑色和白色，对着色过程中，我们将复习从开始到结束的完整的环境分配。本教程结束我们便会有覆盖关键技巧和窍门在数字环境中绘画以及什么要重视，有一种有效和参与设计。 原文: In this tutorial we go through the environment design process of a boss battle level from multiple angles. Throughout the training we will explore some of the design process that is involved with developing an interesting boss battle experience. From the initial sketching phase, to lighting design in black and white, to the coloring process, we will go over from beginning to end a full fledged environment assignment. By the end of the tutorial we will have covered key tips and tricks in digital environment painting as well as what to pay attention to in order to have an effective and engaging design.

在这套教程中我们将学习怎样在Photoshop中创建植物笔刷进行数字绘画和环境构建。首先我们会举例告诉大家怎样创建自定义树叶笔刷。然后学习怎样创建我们自己的植物笔刷，讨论设计在最后执行笔刷的过程中的重要性。在这个过程中我们还会学习怎样在笔刷面板中调整笔刷预置中的各项设置。最后我们将使用植物笔刷绘制整个插图。Photoshop中确实保存了一些有用的草和树叶笔刷，可以让你创建出自定义植物笔刷，更具创造性地进行数字绘画和环境构建。

Photoshop has long been a pioneer in the realm of 2D image editing. But what happens if we need to incorporate some type of a 3D model into our image? Well with the help of Photoshop CS6 Extended, we now have the ability to handle this entire pipeline all right inside of Photoshop. From materials to lighting and rendering, this tutorial will teach you how to perform each step inside of Photoshop. We’ll get started by learning how to use the Vanishing Point filter to influence our perspective camera. Next we will learn how to import, scale and position all of the geometry for our scene. Next we will break down materials in Photoshop learning how we can quickly assign them to our various pieces of geometry. To wrap this training up, we will learn about different methods of lighting our scene. First we will learn how to implement image based lighting using a linear workflow. We’ll then learn how we can manually create and place lights in our scene to help illuminate our objects in a way that makes them look like they are part of the image.After watching this tutorial, you will be well equipped to begin importing your own geometry into Photoshop and merging it into still images.

译文: 创建美丽的时候，可信环境-处理过的照片，很多艺术家不知道从哪里开始或根本听不懂的气氛是如何影响他们的现场。在这个 Photoshop 教程中，我们将通过创建一个被遗弃的城市场景一步步走，学习不只是如何执行每个任务在 Photoshop 中，但为什么每个步骤是重要的。我们将使用工作流，允许两个集成的多个图像到我们的组成，以及手绘画其他元素。虽然很多的技术，我们将看看都特定于此项目，仍然可以应用他们以不同的形式到你自己的工作.完成本教程之后，你将成为装备精良以开始创建您自己环境的照片操纵利用你已经在这里学到的新技术。 原文:  When it comes to creating beautiful, believable environmental photo-manipulations, many artists either don’t know where to begin or simply don’t understand how atmosphere affects their scene. In this Photoshop tutorial, we will walk step by step through creating an abandoned city scene and learn not just how to perform each task in Photoshop, but why each step is important. We will be using a workflow that allows for both the integration of multiple images into our composition as well as hand painting other elements. While many of the techniques we will look at are specific to this project, you can still apply them in different forms to your own work.  After completing this tutorial, you will be well equipped to begin creating your own environmental photo-manipulations utilizing the new techniques you’ve learned here.

本教程是由 Digital-Tutors机构出品的Photoshop绘制游戏模型材质贴图的教程，在本系列教程我们将在Photoshop中全面讲述基本的面部特征和模型的贴图纹理。

译文: 在本教程中，您将学习如何采取入 Photoshop 你 ZBrush 的渲染，以创建为你的投资组合程式化的最后作品。我们将讨论如何采取入 Photoshop 你 3D 概念，为最终的自定义呈现在 Photoshop CS6 中使用层、 筛选器、 套索工具和其他工具。 原文: In this tutorial you will learn how to take your ZBrush renders into Photoshop in order to create a stylized final art piece for your portfolio. We will discuss how to take your 3D concepts into Photoshop for final customized renders using layers, filters, lasso tools and other tools in Photoshop CS6.

译文: 在本教程中我们将学习如何在 Photoshop 专为我们预先设计的字符创建概念艺术环境。我们将开始与参考材料分析然后开始和完成我们在 Photoshop 中的绘画。一路走来，我们将利用 Photoshop ' s 变换工具和层的影响，加强我们的一片的总体列报。本教程的结尾，你会如何使用字符设计作为直观的参照来创建环境概念艺术扎实的理解。 原文: In this tutorial we will learn how to create concept-art environments in Photoshop made specifically for our pre-designed characters.We will start with the analysis of reference material and then begin and finish our painting in Photoshop. Along the way, we will be utilizing Photoshop's transform tool and layer effects to enhance the overall presentation of our piece. By the end of this tutorial, you will have a solid understanding of how to use a character design as a visual guide to create environment concept art.

译文: 在本教程中，您将学习绘图岩层在 Photoshop 中的技术。看着不同类型的岩层和学习一些弥补他们的属性，我们将开始这一进程。我们会寻找简单的形状和评估自己的剪影的形式每个形成模式。我们将使用我们研究每个岩石形成作为参考创建我们自己独特的地层。为每个我们画的形成，我们将开始与轮廓的用来建立整个窗体，然后开始拉出额外的形式和形状，我们继续塑造我们的岩层。正如我们所看到的专注于某些形状在不同类型的岩层和避免对称模式将允许您开发的岩层，看起来更自然。 原文:  In this tutorial, you will learn techniques for drawing rock formations in Photoshop. We will begin this process by looking at different types of rock formations and studying some of the attributes that make them up. We"ll look for simple shapes and patterns along with evaluating each formation in silhouette form. We"ll use each rock formation that we study as a reference for creating our own unique formations. For each formation we draw, we"ll start with a silhouette to establish the overall form then begin to pull out additional forms and shapes as we continue sculpting our rock formations.   As we"ll see, focusing on certain shapes in different types of rock formations along with avoiding symmetrical patterns will allow you to develop rock formations that look natural.

译文: 在本教程中我们将学习如何使用一些 Photoshop ' s 更基本但功能强大的工具来创建一个多彩的抽象设计。贯穿于在本教程中我们将学习如何结合一些 Photoshop ' s 工具如钢笔和画笔工具来创建有深度和维度的形状。我们也将会与喷枪技术、 混合模式、 灯光效果，试验和学习沿途一定会加快您的工作流的几个键盘快捷方式都。我们还将学习如何无缝地融入我们组成一张照片，通过执行非破坏性的调整图层与周围的环境融为一体。 原文: In this tutorial we will learn how to use some of Photoshop's more basic but powerful tools to create a colorful abstract design.Throughout the lessons in this tutorial we will learn ways to combine some of Photoshop's tools such as the Pen and Brush Tools to create shapes that have depth and dimension. We will also be experimenting with Airbrushing Techniques, Blending Modes, Lighting Effects, and learning several keyboard shortcuts along the way that are sure to speed up your workflow. We will also learn how to seamlessly integrate a photograph into our composition and blend it with its surroundings by implementing non-destructive Adjustment Layers.

译文: 平面设计师，印刷术是我们触摸几乎每个项目的一部分。有了它在我们日常的工作中发挥了突出的作用，它应该不用说精通类型绝对必须。开始本教程中，我们将学习如何选择适当的字体，为我们的工作和那些字体如何传达给我们的观众。我们将了解事情像空间和周围类型以及一些事情，我们应该知道的当它来键入会导致不必要的眼疲劳对我们观众。要总结本教程中，我们将了解如何为标志的排版的需要得到满足通过简单地创建一组自定义适合的概念为标志的字体。后完成这次培训，不但会你会开始以不同的方式在您的图形设计项目中查看类型的用法，但你会开始问问题，评估您将帮助你向你的听众更清晰交流概念的类型时。 原文: For Graphic Designers, typography is a part of nearly every project we touch. With it playing such a prominent role in our day-to-day work, it should go without saying that being proficient with type is an absolute must. To begin this tutorial, we will learn about choosing appropriate typefaces for our work and how those typefaces communicate to our audience. We will learn about things like the space in and around type as well as some things that we should be aware of when it comes to type that can cause unnecessary eye strain on our viewing audience. To wrap this tutorial up, we will learn about how the typographic needs for a logo were met by simply creating a custom set of letterforms that fit the concept for a logo. After completing this training, not only will you will begin to view the usage of type in your graphic design projects differently but you will begin to ask questions when evaluating your type that will help you to communicate a concept to your audience with more clarity.

译文: 创建环境的概念艺术的时候，过程不一定要有条理一个缓慢的过程。事实上，当我们做一些简单的作为为自己设置一个时间限制，真正神奇的东西就会发生.不只我们可以不必在一次尝试创建完美完成的图像的负担，但我们也可以积累很快被大量的可能的备选方案。我们还将学习，是否一个想法不淘金，我们可以快速设置它一边和移动无需浪费时间试图让而我们将把重点放在速度上和住松早在此过程中，我们将也学到一些有价值的技术，一路上都打破了我们的形象，以及画它总结这次培训工作。我们将会大大放慢自己的脚步和学习这种细节和波兰后，应该保存为结束速度绘画。 完成这一系列的经验教训，你将学到更多只是一些提示和技巧为画一个漂亮的形象。你将会学习绘画的速度是一样的心境是上班的路上。 原文:  When it comes to creating concept art for environments, the process doesn’t have to be a slow methodical one. In fact, when we do something as simple as setting a time limit for ourselves, something truly magical can happen.  Not only can we free ourselves of the burden having to create the perfect finished image in one attempt but we can also amass are large number of potential options very quickly. We will also learn that if an idea just isn’t panning out, we can quickly set it aside and move on without wasting time trying to make it work.  While we will be focusing on speed and staying loose early in this course, we will also learn some valuable techniques along the way for both breaking down our image as well as painting it.  To wrap up this training, we will slow our pace considerably and learn that detail and polish should be saved for the very end of a speed painting.  After completing this series of lessons, you will have learned more than just some tips and tricks for painting a pretty image. You will have learned that speed painting is as much a frame of mind as it is a way to work.

译文: 在本 Vue 教程中我们将学习如何制作通常处理器密集型的场景在 Vue，同时保护我们自己的资源。整个这些经验教训，我们将创造一个生态系统重的场景，同时努力治国切割出资源重但不必要做法和专注于制作一个美丽的然而稳定生态系统重场戏我们的资源。 原文: In this Vue tutorial we will learn about making a normally processor intensive scene in Vue, while at the same time conserving our own resources.Throughout these lessons we will cover the creation of an EcoSystem Heavy scene, while simultaneously working to govern our resources by cutting out resource heavy yet unnecessary practices and concentrating on making a beautiful, yet stable EcoSystem heavy scene.

本教程由世界著名的PHOTOSHOP艺术家Brian Haberlin讲解，实例演示卡通漫画的上色技法。